[Man's] life consists in a relation with all things: stone, earth, trees, flowers, water, insects, fishes, birds, creatures, sun,rainbow, children, women, other men. But his greatest and final relation is with the sun.
Along the avenue of cypresses,
All in their scarlet cloaks and surplices
Of linen, go the chanting choristers,
The priests in gold and black, the villagers. . . .
The trees down the boulevard stand naked in thought,
Their abundant summery wordage silenced, caught
In the grim undertow; naked the trees confront
Implacable winter's long, cross-questioning brunt.
Why, why are people all balls of bitter dust? Because they won't fall off the tree when they're ripe. They hang on to their old positions when the position is overpast, till they become infested with little worms and dry-rot.
It seems to me a purely lyric poet gives himself, right down to his sex, to his mood, utterly and abandonedly, whirls himself roundtill he spontaneously combusts into verse. He has nothing that goes on, no passion, only a few intense moods, separate like odd stars, and when each has burned away, he must die.
Previously, even in Egypt, men had not learned to see straight. They fumbled in the dark, and didn't quite know where they were, or what they were. Like men in a dark room, they only felt their existence surging in the darkness of other creatures. We, however, have learned to see ourselves for what we are, as the sun sees us. The Kodak bears witness.
We make a mistake forsaking England and moving out into the periphery of life. After all, Taormina, Ceylon, Africa, America -- as far as we go, they are only the negation of what we ourselves stand for and are: and we're rather like Jonahs running away from the place we belong.
[During the Renaissance] the Italians said, "We are one in the Father: we will go back." The Northern races said, "We are one in Christ, we will go on.