There has never been a time in which I have been convinced from within myself that I am alive. You see, I have only such a fugitive awareness of things around me that I always feel they were once real and are now fleeting away. I have a constant longing, my dear sir, to catch a glimpse of things as they may have been before they show themselves to me.
The meditative state is the highest state of existence. So long as there is desire, no real happiness can come. It is only the contemplative, witness-like study of objects that brings to us real enjoyment and happiness.
The marvellous instinct with which women are usually credited seems too often to desert them on the only occasions when it would be of any real use. One would say it was there for trivialities only, since in a crisis they are usually dense, fatally doing the wrong thing. It is hardly too much to say that most domestic tragedies are caused by the feminine intuition of men and the want of it in women.
There is no more beautiful sight in all this world than to see a family praying together. There is real meaning behind the oft-quoted ‘The family that prays together stays together.
I cannot too often repeat that Democracy is a word the real gist of which still sleeps, quite unawakened, notwithstanding the resonance and the many angry tempests out of which its syllables have come, from pen or tongue. It is a great word, whose history, I suppose, remains unwritten because that history has yet to be enacted.
I don't think life offers any greater experience than the joyful sense of recognition when one finds in a new acquaintance a real friend, or when an old relationship deepens into friendship, or when one finds an old friendship intact despite the passage of years and many absences.
That's the thing about stage: It's something you can't find anywhere else. It's a two-and-a-half, three-hour experience, and it's a real relationship. You're sending out energy from the stage, but the audience is giving you back so much also, so that's also lifting you and pushing you forward as you're performing and giving you so much energy. You can't find it anywhere else, and that's why people get addicted to being on stage, and when they're not on stage are kind of looking for that and constantly searching for it.
Simply put, you can read a story in a single sitting and hold it all in your mind. You can experience all of its rhythms, beginning to end, during that span. Consequently it has, I think, greater emotional power than a novel because of this real-time effect. Stories can stun you.
[Do you worry unnecessarily about the future? Remember most fears are just False Evidence Appearing Real. Don't let unfounded fears rob you of the joys of life or you too will say...] There has been much tragedy in my life; [and] at least half of it actually happened.
You can only be your best self. When I initially got on the air, I would look around me and watch people that I thought were really good and try to be like they were. And I got to a point where I realized, "I can't be them." I can only be the best that Abby can be. And as long as I'm myself and I'm genuine and I'm real, then I think that's all you can do.
"I see nobody on the road," said Alice. "I only wish I had such eyes," the King remarked in a fretful tone. "To be able to see Nobody! And at that distance too! Why, it's as much as I can do to see real people, by this light."
One can't write a weird story of real power without perfect psychological detachment from the human scene, and a magic prism of imagination which suffuses them and style alike with that grotesquerie and disquieting distortion characteristic of morbid vision. Only a cynic can create horror - for behind every masterpiece of the sort must reside a driving daemonic force that despises the human race and its illusions, and longs to pull them to pieces and mock them.