At the moment our human world is based on the suffering and destruction of millions of non-humans. To perceive this and to do something to change it in personal and public ways is to undergo a change of perception akin to a religious conversion. Nothing can ever be seen in quite the same way again because once you have admitted the terror and pain of other species you will, unless you resist conversion, be always aware of the endless permutations of suffering that support our society.
Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquility: For his hand, though heavy and hard, is guided by the tender hand of the Unseen, And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears.
Is it thy will that I should wax and wane,
Barter my cloth of gold for hodden grey,
And at thy pleasure weave that web of pain
Whose brightest threads are each a wasted day?
Most of our modern portrait painters are doomed to absolute oblivion. They never paint what they see. They paint what the public sees, and the public never sees anything.
Your pain is the breaking of the shell that encloses your understanding. It is the bitter potion by which the physician within you heals your sick self. Therefore, trust the physician and drink his remedy in silence and tranquility.
A self-denial, no less austere than the saint's, is demanded of the scholar. He must worship truth, and forgo all things for that,and choose defeat and pain, so that his treasure in thought is thereby augmented.
Are these things good for any other reason except that they end in pleasure, and get rid of and avert pain? Are you looking to any other standard but pleasure and pain when you call them good?
Man takes a great deal of pains to heap up riches, and they are but like heaps of manure in the furrows of the field, good for nothing unless they be spread.
[ Blue is the Warmest Color ] was really a film about two people having to go through a relationship which everyone knew would lead to a breakup and the pain that that entails. Anybody can see that story, what leads to that, and identify with it. As a filmmaker, I wanted to construct this identification process with the characters so that you fully connect to their emotions and what their breakup [represents].
But it's precisely in this cold, loathsome half-despair, half-belief, in this deliberate burying of yourself underground for forty years out of sheer pain, in this assiduously constructed, and yet somewhat dubious hopelessness, in all this poision of unfulfilled desires turned inward, this fever of vacillations, of resolutions adopted for eternity, and of repentances a moment later that you find the very essence of that strange, sharp pleasure.
Why seeketh thou revenge, O man! with what purpose is it that thou pursuest it? Thinkest thou to pain thine adversary by it? Know that thou thyself feelest its greatest torments.
If you are afraid of death, be afraid. The point is to get with it, to let it take over - fear, ghosts, pains, transience, dissolution, and all. And then comes the hitherto unbelievable surprise; you don't die because you were never born. You had just forgotten who you are.
We're starting to make some progress. But there's still gonna be some pain out there. If I don't have this done in three years, then there's gonna be a one-term proposition.