He could not feel her near him in the darkness nor hear her voice touch his ear. He waited for some minutes listening. He could hear nothing: the night was perfectly silent. He listened again: perfectly silent. He felt that he was alone.
One of the greatest of poets, Coleridge was one of the wisest of men, and it was not for nothing that he read us this parable. Let us have a little less of "hands across the sea," and a little more of that elemental distrust that is the security of nations. War loves to come like a thief in the night; professions of eternal amity provide the night.
There she weaves by night and day, A magic web with colors gay. She has heard a whisper say, A curse is on her if she stay, To look down to Camelot. She knows not what the curse may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott.
O eternal truth and true love and beloved eternity! You are my God; to you I sigh by day and by night. And when I first knew you, you raised me up so that I could see that there was something to see and that I still lacked the ability to see it. And you beat back the weakness of my sight, blazing upon me with your rays, and I trembled in love and in dread.
To awaken to the absolute view is profound and transformative, but to awaken from all fixed points of view is the birth of true non-duality. If emptiness cannot dance, it is not true emptiness. If moonlight does not flood the empty night sky and reflect in every drop of water, on every blade of grass, then you are only looking at your own empty dream.
Through the ghoul-guarded gateways of slumber, Past the wan-mooned abysses of night, I have lived o'er my lives without number, I have sounded all things with my sight.
The Moon is a white strange world, great, white, soft-seeming globe in the night sky, and what she actually communicates to me across space I shall never fully know. But the Moon that pulls the tides, and the Moon that controls the menstrual periods of women, and the Moon that touches the lunatics, she is not the mere dead lump of the astronomist. . . . When we describe the Moon as dead, we are describing the deadness in ourselves. When we find space so hideously void, we are describing our own unbearable emptiness.
Look out into the July night, and see the broad belt of silver flame which flashes up the half of heaven, fresh and delicate as the bonfires of the meadow-flies. Yet the powers of numbers cannot compute its enormous age,—lasting as space and time,—embosomed in time and space.
Once I passed through a populous city imprinting my brain for future use with its shows, architecture, customs, traditions, Yet now of all that city I remember only a woman I Casually met there who detained me for love of me, Day by day and night by night we were together—all else Has long been forgotten by me, I remember I say only that woman who passionately clung To me, Again we wander, we love, we separate again, Again she holds me by the hand, I must not go, I see her close beside me with silent lips sad and tremulous.
At 15 I auditioned for 42nd Street in Australia. Dein Perry was in that show. I actually got the job but I couldn't do it because I was only 15. Legally I needed to have another 15-year-old to cover consecutive nights.
Even today the most jaded city dweller can be unexpectedly moved upon encountering a clear night sky studded with thousands of twinkling stars. When it happens to me after all these years it still takes my breath away.
But the nearer the dawn the darker the night, And by going wrong all things come right. Things have been mended that were worse, and the the worse, the nearer they are to mend.
Tis true, 'tis day; what though it be? O wilt thou therefore rise from me? Why should we rise, because 'tis light? Did we lie down, because 'twas night? Love which in spite of darkness brought us hither Should in despite of light keep us together.