Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality. It speaks of what seems fantastic and unreal to those who have lost the simple intuitions which are the test of reality; and, as it is often found at war with its age, so it makes no account of history, which is fabled by the daughters of memory.
I have a house that I bought 55 years ago. It's warm in the winter; it's cool in the summer. It has everything I wanted, plus it has all kinds of good memories. Like my kids, I have good thoughts about that. I can't imagine living any better.
There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy.
I think, myself, that one's memories represent those moments which, insignificant as they may seem, nevertheless represent the inner self and oneself as most really oneself.
I can't have composite characters. I can't attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
But it is possible, it is possible: the old grief, by a great mystery of human life, gradually passes into quiet, tender joy; instead of young, ebullient blood comes a mild, serene old age: I bless the sun's rising each day and my heart sings to it as before, but now I love its setting even more, its long slanting rays, and with them quiet, mild, tender memories, dear images from the whole of a long and blessed life--and over all is God's truth, moving, reconciling, all-forgiving!
History is the witness that testifies to the passing of time; it illumines reality, vitalizes memory, provides guidance in daily life and brings us tidings of antiquities.
In certain favorable moods, memories -- what one has forgotten -- come to the top. Now if this is so, is it not possible -- I often wonder -- that things we have felt with great intensity have an existence independent of our minds; are in fact still in existence? And if so, will it not be possible, in time, that some device will be invented by which we can tap them?
Commemoration of Pandita Mary Ramabai, Translator of the Scriptures, 1922 A memory of yesterday's pleasures, a fear of tomorrow's dangers, a straw under my knees, a noise in my ear, a light in my eye, an anything, a nothing, a fancy, a chimera in my brain, troubles me in my prayers.
Even if we are occupied with important things and even if we attain honour or fall into misfortune, still let us remember how good it once was here, when we were all together united by a good and kind feeling which made us perhaps better than we are.
I pray that our Heavenly Father may assuage the anguish of your bereavement, and leave you only the cherished memory of the loved and lost, and the solemn pride that must be yours, to have laid so costly a sacrifice upon the altar of Freedom.
That's because only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.