Speaking of Germany in 1933, I don't think you can remove yourself from politics when, in so many countries - the United States, Poland, Hungary, and many others - you've got politicians in power or vying for power who are taking tactics and elements of their appeal from the playbook of fascism.
In Canada, the U.S. and most of Europe it may be easy to take political stands, this is something for which you can be forced to pay with your life, or your freedom, in many other parts of the world, from Iran to Russia to Pakistan to China.
I think in many ways, the Spanish Civil War was the first battle of World War II. After all, where else in the world at this point did you have Americans in uniform who were being bombed by Nazi planes four years before the U.S. entered World War II? Hitler and Mussolini jumped in on the side of Francisco Franco and his Spanish nationalists, sent them vast amounts of military aid, airplanes, tanks - and Mussolini sent 80,000 ground troops as well - because they wanted a sympathetic ally in power. So I think it really was the opening act of World War II.
I think [George] Orwell is right. There are certainly moments when political differences appear minor, and someone can claim to be non-political or to want to stay out of the fray, but today is not one of those moments.
In his fierce, bold determination to see the lives of modern-day slaves up close, Benjamin Skinner reminds me of the British abolitionist of two hundred years ago, Zachary Macaulay, who once traveled on a slave ship across the Atlantic, taking notes. Skinner goes everywhere, from border crossings to brothels to bargaining sessions with dealers in human beings, to bring us this vivid, searing account of the wide network of human trafficking and servitude which spans today's globe.
Things have gotten openly more extreme in the last few years. I was lecturing in Hungary, whose prime minister, Victor Orban, is an example of this trend. All over Budapest, statues have been replaced, museum exhibits have been redone, to turn ethnic Hungarians, not Jews, into the prime victims of the Germans during World War II. Five years ago, who would have thought this possible?
How many really great writers are there who are totally non-political? You can hear the French Revolution in the poetry of [Percy Bysshe] Shelly and [John] Wordsworth; you can sense the vast inequalities of Tsarist Russia in [Anton] Chekhov and [Lev] Tolstoy.
One of my favourite contemporary fiction writers is a Texan, Ben Fountain. His extraordinary novel, Billy Lynn's Long Half-Time Walk, all takes place within the half-time show at a Dallas Cowboys football game. No one has better summed up the American appetite for spectacle, the link between sports and politics, and the absolute madness of George W. Bush's Iraq War.
I think writers can respond by writing about the refugee crisis, by looking at problems faced by migrants, by trying hard to portray them as the human beings that they are.
And yet the world we live in-its divisions and conflicts, its widening gap between rich and poor, its seemingly inexplicable outbursts of violence-is shaped far less by what we celebrate and mythologize than by the painful events we try to forget. Leopold's Congo is but one of those silences of history.
Some 2,800 Americans went to Spain [during the Spanish Civil War], and it was, by far, the largest number of Americans before or since who've ever joined somebody else's civil war. I think they were primarily people who were deeply alarmed by the menace of fascism. They saw this on the horizon. I quote one volunteer, Maury Colow of New York, who said, "for us it was never Franco, it was always Hitler."