The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist.
I think most artists feel like they're outside society - no matter how many accolades they receive, or how much money is in your bank account, whatever is going on in your life on the professional side.
In a genre where most of the artists are one-hit wonders, I've been able to hang around longer than most "serious" acts. I pride myself in being a very talented leech.
It does not in the least concern me whether I shall have at the end of my life thirty people who understand or three hundred. I am like an artist who paints a picture because he must, otherwise he is unhappy - not unhappy, but he must obey that creative impulse.
You are right in demanding that an artist should take an intelligent attitude to his work, but you confuse two things: solving a problem and stating a problem correctly.
I have a life and do a lot of things, and so far my work has been my life. If I was a painter no one would question me about my age. I'm an artist, I hate saying that.
It's hard to say, I picked one of my favorite articles for the MAD vault. Which is one of the features of the Magazine so they don't have to actually pay artists or writers to come up with new stuff.
I have a feeling a lot of artists' work got lost [because of AIDS]. Howard was fortunate because his family and friends supported him, but a chilling thing I remember was these guys at St. Vincent's [Hospital] who would call out for someone to listen to them, just for a moment. They were dying alone. Who knows what happened to their work? It's been a process to follow the thread to find out everything Howard did. It's getting over that shock.