The wild swan hurries hight and noises loud
With white neck peering to the evening clowd.
The weary rooks to distant woods are gone.
With lengths of tail the magpie winnows on
To neighbouring tree, and leaves the distant crow
While small birds nestle in the edge below.
The material of typography is the black, and it is the designer’s task with the help of this black to capture space, to create harmonious whites inside the letters as well as between them.
It is only now and then, in a jungle, or amidst the towering white menace of a burnt or burning Australian forest, that Nature strips the moral veils from vegetation and we apprehend its stark ferocity.
I'd like to go by climbing a birch tree~ And climb black branches up a snow-white trunk Toward heaven, till the tree could bear no more, But dipped its top and set me down again. That would be good both going and coming back. One could do worse than be a swinger of birches.
Sweet is the air with the budding haws, and the valley stretching for miles below
Is white with blossoming cherry-trees, as if just covered with lighted snow.
A red rose peeping through a white? Or else a cherry (double graced) Within a lily? Centre placed? Or ever marked the pretty beam, A strawberry shows, half drowned in cream? Or seen rich rubies blushing through A pure smooth pearl, and orient too? So like to this, nay all the rest, Is each neat niplet of her breast.
Who is the third who walks always beside you? When I count, there are only you and I together But when I look ahead up the white road There is always another one walking beside you Gliding wrapt in a brown mantle, hooded I do not know whether a man or a woman -But who is that on the other side of you?