We can't be naive and think we can go it alone; we must humble ourselves and commit to routine and collective actions. This is just one reason why I am thrilled to be working with the UN Environment as its Goodwill Ambassador.
Maybe the idea of being a rockstar or being the one who's recording or playing, sort of doesn't really matter as much anymore, when you're surrounded by great musicians who bring their spirit, their own talent.
The problem to me with environmentalism is the idea that we're all gonna die and we need to save ourselves. I don't think it's necessarily the right way to go about it, because I think we need to really just improve our every moment and improve our quality of life. And that will, sort of by default, save us.
I think in the old music, everything was so competitive. It was all about - very selfish in a lot of ways. The label sort of capitalized on that desperation and that competition. In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative. People, instead of competing, they can actually support each other, in music.
That's what we do on 'Entourage.' We embed ourselves in legitimate authentic moments so wherever the action is happening, we're taking pieces from that red carpet.
It's what we live for, to be able to make great illusions. The thing about 'Entourage' is everything we do is realistic. We go to the real places, we shoot on location. We get the real people. It's a perfect marriage between fact and fiction.
I'm a self-taught musician, so I never really had the restrictions of any one instrument. I would always just sort of pick up instruments and make noise with 'em.
I think you can find a lot of joy and inspiration through food. I think when you find depression and sadness and hopelessness, many times it's connected to certain food and access to quality and nutrition.
I think winter wear is communal. You get some gloves and a scarf from a lost-and-found box, wash them, wear them for a while until you lose them. Then somebody else does the same thing
I think anybody who's famous has to deal with their fame in their own way, and I dealt with it by making a film about a kid who's looking out into the world of celebrity obsession.
Understanding that which is foreign to you is fundamental to cultivating a sense of connection and unity with one another. We are ultimately trying to accomplish the same thing, which is survival and the thriving of a better world.