I think winter wear is communal. You get some gloves and a scarf from a lost-and-found box, wash them, wear them for a while until you lose them. Then somebody else does the same thing
I think you can find a lot of joy and inspiration through food. I think when you find depression and sadness and hopelessness, many times it's connected to certain food and access to quality and nutrition.
We can't be naive and think we can go it alone; we must humble ourselves and commit to routine and collective actions. This is just one reason why I am thrilled to be working with the UN Environment as its Goodwill Ambassador.
I think it's important that we run that tension between the way things are, in terms of the way we're governed, and the way we sort of become complacent.
The future of cinema and communications is all about collaboration and the decentralized control of storytelling. We're all part of the story; we can all contribute and participate.
Because when you go out, and you have fun, basically you're performing for these tabloid outlets and the paparazzi. And when you perform and create this story, they're chuffed - they get excited, they capture it, and they put it out.
It's what we live for, to be able to make great illusions. The thing about 'Entourage' is everything we do is realistic. We go to the real places, we shoot on location. We get the real people. It's a perfect marriage between fact and fiction.
I think in the old music, everything was so competitive. It was all about - very selfish in a lot of ways. The label sort of capitalized on that desperation and that competition. In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative. People, instead of competing, they can actually support each other, in music.