I don't believe in the so-called Olympic spirit. I speak from personal experience. When China hosted the Games, it failed to include the people. The event was constructed without regard for their joy.
For artists and intellectuals today, what is most needed is to be clear about social responsibility, because that is what most people automatically give up. Just to protect yourself as an individual is very political. You don't have to march on Tiananmen, but you do have to be clear-minded, to find your own means of expression.
I'm not nostalgic about the old city. I don't enjoy it that much. It was just a city with one emperor and the rest of them just rats or meaningless people.
If it's possible, I will have some noodles in the morning and start talking to people, start to think about a few things in my head - the project or a few ideas which are not finished or if there are possible directions and what will lead into another game. It's always like setting up some kind of game you can continuously play.
You only have temporary curiosity, amusement, and challenges, but that does not necessarily mean you are really convinced that it's necessary or that it's not even worth to do it. It's just a way you have to set up some kind of activities to follow your instincts or your curiosities.
I have always stated I designed the stadium as a toilet seat. I don't care if this is a great cultural event or a national symbol. It has nothing to do with me. It deals with the city.