I'm not nostalgic about the old city. I don't enjoy it that much. It was just a city with one emperor and the rest of them just rats or meaningless people.
In the '80s, you couldn't walk in the neighborhood without looking back to see if anyone was following you. You had your key in your hand before you got to your apartment and you'd rush in so you didn't have to stop.
I'm not a writer, but today I think you have to be everything. As an artist you have an obligation to let people know what is on your mind and why you're doing this.
I never felt like a Chinese citizen because I was pushed away at a very young age. My father, a writer, was a national enemy of the Communist Party. He was forbidden to write for 20 years. We literally lived underground. We dug a hole and lived there for years. My father cleaned public toilets, even though he was a highly respected poet. Nationality and borders are barriers to our intelligence, to our imagination and to all kinds of possibilities.
Even though everybody who looked at me would call me a Chinese artist, that's the 1980s. New York in the '80s was not so interesting. I think it's quite narrow-minded. There wasn't much encouragement or opportunities for any artist - not just Chinese artists.
Everything is selected by the central government without good judgment or an understanding of culture to make it really safe. They will become nobody to maintain their power and be raised to the next higher level.
How to become a really modern society when today we are so - as a human being, we feel so powerful. We have high technology and a superb way of controlling our life. And at the same time, in many ways we are so primitive. We are not on - even just a step away from the most brutal and primitive crudity. To be very crude on those issues, which is always challenges and we always have to look at the situation like a mirror, to draw some understanding.