For artists and intellectuals today, what is most needed is to be clear about social responsibility, because that is what most people automatically give up. Just to protect yourself as an individual is very political. You don't have to march on Tiananmen, but you do have to be clear-minded, to find your own means of expression.
In a society like this there is no negotiation, no discussion, except to tell you that power can crush you any time they want — not only you, your whole family and all people like you.
The whole Chinese system - not just the political leadership, the military too, the whole power structure, our education system, the whole of society - is suffering from being cut off from the free flow of information. That's why the country can't face up to open competition - unless it resorts to measures like North Korea.
China partially wants to become part of the world. By hosting the Olympics and the Expo, they made a big effort to tell people: Look, we are the same. They want to be accepted by the international community.
We see the tendency in the world to criticise democracy and sometimes even to say that authoritarian countries like China are more efficient. That is very short-sighted. China looks efficient only because it can sacrifice most people's rights. This is not something the west should be happy about.
I'm doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I've been preparing for half a year. I will bring 1,001 Chinese to participate as my artwork there - any Chinese who is a Chinese passport holder and over eighteen years old could apply through my blog. I'm just bringing them to Kassel to see the art show, and pay their room and board.
Widespread state control over art and culture has left no room for freedom of expression in the country. For more than 60 years, anyone with a dissenting opinion has been suppressed. Chinese art is merely a product: it avoids any meaningful engagement. There is no larger context. Its only purpose is to charm viewers with its ambiguity.
My definition of art has always been the same. It is about freedom of expression. I don’t think anybody can separate art from politics. The intention to separate [the two] is itself a very political intention.
The museums used to be exhibition halls for government propaganda, and now every city wants to build a museum. A few thousand are to be built in the next few years, all using taxpayer money. But there is no system, no research, no content, no good programs, no good managers.
Everything is selected by the central government without good judgment or an understanding of culture to make it really safe. They will become nobody to maintain their power and be raised to the next higher level.