I don't think it's worth discussing new directions in the context of Chinese art - there were no old directions, either. Chinese art has never had any clear orientation.
The idea to use backpacks came from my visit to Sichuan after the earthquake in May 2008. During the earthquake many schools collapsed. Thousands of young students lost their lives, and you could see bags and study material everywhere. Then you realize individual life, media, and the lives of the students are serving very different purposes. The lives of the students disappeared within the state propaganda, and very soon everybody will forget everything.
I always thought that in modern history Chinese people are like a dish of sand, never really close together. But I think a dish of sand is a good metaphor because we have the Internet. We don't have to be physically united. You can be an individual and have your own set of values but join others in certain struggles. There is nothing more powerful than that.
At the moment about 350,000 students return to China from abroad each year - 350,000 young and educated people. I know about them because they know me and often ask me in the street if they can take a selfie with me. These folks are creative and ironic, and the government can ultimately not control what is going on in their heads.
China has not established the rule of law and if there is a power above the law there is no social justice. Everybody can be subjected to harm. I'm just a citizen: my life is equal in value to any other. But I'm thankful that when I lost my freedom so many people shared feelings and put such touching effort into helping me.
Individual; that means he has his own special way to communicate, which creates the form of him. In the information age, this expression and communication has become so different.
My image of what a city should be - the super-rich and all the poor and desperate and the people who have some kind of a desire. It's a surviving game, people trying to survive on many different levels.
I think the pearls - one is a necklace, and another you have five hundred pounds of pearls, which may be one million pearls in a bowl - really show a kind of [society] condition.
Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
Civilization has evolved toward more acceptance, understanding and tolerance of global thinking. If we accept differences, our creativity booms. It makes life much more colorful. It also makes humanity much more safe. If we see pureness somewhere as something to be desired, the trouble starts.