I suddenly realized I was getting ten opening notes a day on my mobile phone, more than when I was in New York. But this is China, where nothing is surprising.
China restricts the society's freedom of speech. The Communist Party imposes these limits because it lacks confidence towards the future and has no ideals. Nowadays, China is experiencing the detrimental effects of such decisions. Its citizens have no creativity.
Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
Censorship is saying: "I'm the one who says the last sentence. Whatever you say, the conclusion is mine." But the internet is like a tree that is growing. The people will always have the last word – even if someone has a very weak, quiet voice. Such power will collapse because of a whisper.
Warhol came from an ordinary family and he had a profound understanding about capitalism and material culture. He was probably one of the few Western artists - or artists from the United States - that could be considered a true product of his time and brought out that kind of spirit of the culture.
I don't believe in the so-called Olympic spirit. I speak from personal experience. When China hosted the Games, it failed to include the people. The event was constructed without regard for their joy.
China didn't want to lose the cutting edge of technology. So the idea of having a Sina Weibo was an attempt to compete with Twitter. However, it has no soul - which is freedom of expression. Nevertheless, I think the government regrets having Sina Weibo, but they cannot shut it down. That would definitely be suicidal.
A historical property has morals and ethics of the society that created it and it can be revived. What I mean is that we can discover new possibilities from the process of dismantling, transforming, and recreating.
My definition of art has always been the same. It is about freedom of expression. I don’t think anybody can separate art from politics. The intention to separate [the two] is itself a very political intention.
All the rich people collect traditional Chinese art. So it's very natural for Chinese families to still see art as the highest human performance and send their children to this field.