Our lives are bound by physical limits, familial ties, political conditions, and geographical restrictions. Individual freedom takes us beyond them all.
The misconception of totalitarianism is that freedom can be imprisoned. This is not the case. When you constrain freedom, freedom will take flight and land on a windowsill.
At the moment about 350,000 students return to China from abroad each year - 350,000 young and educated people. I know about them because they know me and often ask me in the street if they can take a selfie with me. These folks are creative and ironic, and the government can ultimately not control what is going on in their heads.
Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
China partially wants to become part of the world. By hosting the Olympics and the Expo, they made a big effort to tell people: Look, we are the same. They want to be accepted by the international community.
My definition of art has always been the same. It is about freedom of expression. I don’t think anybody can separate art from politics. The intention to separate [the two] is itself a very political intention.
I will never leave China, unless I am forced to. Because China is mine. I will not leave something that belongs to me in the hands of people I do not trust.
The whole Chinese system - not just the political leadership, the military too, the whole power structure, our education system, the whole of society - is suffering from being cut off from the free flow of information. That's why the country can't face up to open competition - unless it resorts to measures like North Korea.