I peeled the skin off a grape in slippery little triangles, and I understood then that I would be undressing every item of food I could because my clothes would be staying on.
There's a gift in your lap and it's beautifully wrapped and it's not your birthday. You feel wonderful, you feel like somebody knows you're alive, you feel fear because it could be a bomb, because you think you're that important.
But what I kept wondering about is this: that first second when she felt her skirt burning, what did she think? Before she knew it was candles, did she think she'd done it herself? With the amazing turns of her hips, and the warmth of the music inside her, did she believe, for even one glorious second, that her passion had arrived?
Glen Hirshberg's stories are haunting, absolutely, but not only because of the content -- the stories themselves haunt, they stick around, they linger, inhabiting a little corner of the reader's brain and resurfacing to evoke mystery or sadness or longing. It's a pleasure to dive into Hirshberg's storytelling skills in American Morons.
I like birthday cake. It's so symbolic. It's a tempting symbol to load with something more complicated than just 'Happy birthday!' because it's this emblem of childhood and a happy day.
That's the thing with handmade items. They still have the person's mark on them, and when you hold them, you feel less alone. This is why everyone who eats a Whopper leaves a little more depressed than they were when they came in. Nobody cooked that burger.
Many kids, it seemed, would find out that their parents were flawed, messed-up people later in life, and I didn't appreciate getting to know it all so strong and early.