Nobody wants to put the creditworthiness of the United States in jeopardy. Nobody wants to see the United States default. So we've got to seize this moment, and we have to seize it soon.
As you work, the mood grows on you. There are certain images which suddenly get hold of me and I really want to do them. But it's true to say that the excitement and possibilities are in the working and obviously can only come in the working.
You want accuracy, but not representation. If you know how to make the figuration, it doesn't work. Anything you can make, you make by accident. In painting, you have to know what you do, not how, when you do it.
It is always assumed by the empty-headed, who chatter about themselves for want of something better, that people who do not discuss their affairs openly must have something to hide.
I'm not sure if we're going to or not because what happens is I'd always love to see certain characters back, there's so many. Some of it has to do with, if we want them back, are they available and the other aspect is do they fit with the storyline we're telling.
If I want to understand something, I must observe, I must not criticize, I must not condemn, I must not pursue it as pleasure or avoid it as non-pleasure. There must merely be the silent observation of a fact.