The lily I condemned for thy hand, And buds of marjoram had stol'n thy hair: The roses fearfully on thorns did stand, One blushing shame, another white despair; A third, nor red nor white, had stol'n of both And to his robbery had annex'd thy breath; But, for his theft, in pride of all his growth A vengeful canker eat him up to death. More flowers I noted, yet I none could see But sweet or colour it had stol'n from thee.
Like the bee gathering honey from the different flowers, the wise person
accepts the essence of the different scriptures and sees only the good in all religions.
She was a dark, unenduring little flower - yet he thought he detected in her some quality of spiritual reticence, of strength drawn from her passive acceptance of all things. In this he was mistaken.
Apparently with no surprise To any happy Flower The Frost beheads it at its play -- In accidental power -- The blonde Assassin passes on -- The Sun proceeds unmoved To measure off another Day For an Approving God.
We are made aware that magnitude of material things is relative, and all objects shrink and expand to serve the passion of the poet. Thus, in his sonnets, the lays of birds, the scents and dyes of flowers, he finds to be the shadow of his beloved; time, which keeps her from him, is his chest; the suspicion she has awakened, is her ornament
I notice that you use plain, simple language, short words and brief sentences. That is the way to write English―it is the modern way and the best way. Stick to it; don't let fluff and flowers and verbosity creep in. When you catch an adjective, kill it. No, I don't mean utterly, but kill most of them―then the rest will be valuable. They weaken when they are close together. They give strength when they are wide apart. An adjective habit, or a wordy, diffuse, flowery habit, once fastened upon a person, is as hard to get rid of as any other vice.
While the flowers, pale and unreal in the moonlight, floated away upon the river; and thus do greater things that once were in our breasts, and near our hearts, flow from us to the eternal sea.
The warm sun is failing, the bleak wind is wailing, The bare boughs are sighing, the pale flowers are dying, And the Year On the earth her death-bed, in a shroud of leaves dead, Is lying. . . .
The brooks flow to their lover, the sea, and the flowers smile at the object of their passion, the light. The mist rolls down to its beloved, the valley. And I? In me is what brooks do not know, what flowers do not hear, what the mist does not apprehend. You see me alone in my love, solitary in my yearning.
Continuous as the stars that shine And twinkle on the milky way, They stretch'd in never-ending line Along the margin of a bay: Ten thousand saw I at a glance Tossing their heads in sprightly dance.
Look what thy soul holds dear, imagine it
To lie that way thou goest, not whence thou com'st.
Suppose the singing birds musicians,
The grass whereon thou tread'st the presence strewed,
The flowers fair ladies, and thy steps no more
Than a delight measure or a dance;
For gnarling sorrow hath less power to bite
The man that mocks at it and sets it light.
But mighty Nature bounds as from her birth;
The sun is in the heavens, and life on earth:
Flowers in the valley, splendor in the beam,
Health on the gale, and freshness in the stream.
Though leaves are many, the root is one; Through all the lying days of my youth I swayed my leaves and flowers in the sun Now I may wither into the truth.