In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes. I've had to do it before with stage roles, to get roles. I'm drawn to kind of darker, misfit things. I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.
Storytelling is how we survive, when there's no feed, the story feeds something, it feeds the spirit, the imagination. I can't imagine life without stories, stories from my parents, my culture. Stories from other people's parents, their culture. That's how we learn from each other, it's the best way. That's why literature is so important, it connects us heart to heart.
(...) The new nine muses, Commerce, Operatic Music, Amor, Publicity, Manufacture, Liberty of Specch, Plural Voting, Gastronomy, Private Hygiene, Seaside Concert Entertainments, Painless Obstetrics and Astronomy for the People.
People who read me seem to be divided into four groups: twenty-five percent like me for the right reasons; twenty-five percent like me for the wrong reasons; twenty-five percent hate me for the wrong reasons; twenty-five percent hate me for the right reasons. It's that last twenty-five percent that worries me.
One of my pet peeves is that sometimes the talents of my band get overlooked because, and it was the same problem that Frank Zappa had, with a lot of groups that use humor, people don't realize there's a lot of craft behind the comedy.
Why these people who want to do so much good for everyone, who call themselves government and this and that, why them say you must not use the herb? You see, them say you must not use the herb because it makes you a rebel. Against what?
What kind of people do they think we are? Is it possible they do not realize that we shall never cease to persevere against them until they have been taught a lesson which they and the world will never forget?
The refinement of morality increases together with the refinement of fear. Today the fear of disagreeable feelings in other people is almost the strongest of our own disagreeable feelings.
The kind of poetry that interests me is intellectual and moral and political and sexual and sensual - all of that fermenting together. It can speak to people who have themselves felt like monsters and say: you are not alone, this is not monstrous. It can disturb and enrapture.
I always jest to people, the Oval Office is the kind of place where people stand outside, they're getting ready to come in and tell me what for, and they walk in and get overwhelmed in the atmosphere, and they say, man, you're looking pretty.