I do not believe that there are any such things as gods and goddesses, for exactly the same reasons as I do not believe there are fairies, goblins or sprites, and these reasons should be obvious to anyone over the age of ten.
India has the right, if she only knew, of becoming the predominant partner by reason of her numbers, geographical position and culture inherited for ages.
I am admonished in many ways that time is pushing me inexorably along. I am approaching the threshold of age; in 1977 I shall be 142. This is no time to be flitting about the earth. I must cease from the activities proper to youth and begin to take on the dignities and gravities and inertia proper to that season of honorable senility which is on its way.
There is only one thing that stands in our midst, attenuated and threatened, but enthroned in some power like a ghost of the Middle Ages: the Trade Unions.
We live in an age which is so possessed by demons, that soon we shall only be able to do goodness and justice in the deepest secrecy, as if it were a crime.
Over-sentimentality, over-softness, in fact washiness and mushiness are the great dangers of this age and of this people. Unless we keep the barbarian virtues, gaining the civilized ones will be of little avail.
I'll tell you something of the forbidden horrors she led me into - something of the age-old horrors that even now are festering in out-of-the-way corners with a few monstrous priests to keep them alive. Some people know things about the universe that nobody ought to know, and can do things that nobody ought to be able to do.
Alas! for that accursed time They bore thee o'er the billow, From love to titled age and crime, And an unholy pillow! From me, and from our misty clime, Where weeps the silver willow!
"There's been a quantum leap technologically in our age, but unless there's another quantum leap in human relations, unless we learn to live in a new way towards one another, there will be a catastrophe."
In Bach there is still too much crude Christianity, crude Germanism, crude scholasticism; he stands on the threshold of European (modern) music, but he looks back from there to the Middle Ages.