Whenever you find yourself on the side of the majority, it is time to reform. "It ain't what you don't know that gets you into trouble. It's what you know for certain that just ain't true." Thinking that you know the future.
I absolutely think that when we talk about family, faith, community, I think it's important for Democrats to be able to connect with folks where they live.
I don't go so far as to think that the only good Indians are dead Indians, but I believe nine out of ten are, and I shouldn't like to inquire too closely into the case of the tenth.
I'm not a - I'm beautiful, but I'm not working because I'm drop-dead gorgeous with a fantastic body. I think I continue to work because I'm good at my craft. I'm dedicated to bringing to life what the author is trying to portray. I try to make the producers cry and the crew laugh.
How shall we ever make the world intelligent of our movement? I do not think that the answer lies in trying to render feminism easy, popular, and instantly gratifying. To conjure with the passive culture and adapt to its rules is to degrade and deny the fullness of our meaning and intention.
In fact, now I come to think of it, do we decide questions, at all? We decide answers, no doubt: but surely the questions decide us? It is the dog, you know, that wags the tail--not the tail that wags the dog.
To define is to limit, to set boundaries, to compare and to contrast, and for this reason, the universe, the all, seems to defy definition....Just as no one in his senses would look for the morning news in a dictionary, no one should use speaking and thinking to find out what cannot be spoken or thought.
I have three tools at my disposal - my whistle, my body language and my talk. It is a question of how I marry them up to try to get the players around to my way of thinking.
I think in this country we're committed to developing plays, and many plays I've seen have been rewritten too much. The scenes are tight, the play ends at the right time, you know exactly what the scene is about, but it seems flat; you can almost see that too many hands have been on the play. The individual voice is gone.
The wind whips through the canyons of the American Southwest, and there is no one to hear it but us - a reminder of the 40,000 generations of thinking men and women who preceded us, about whom we know almost nothing, upon whom our civilization is based.