For me, writing has always come out of living a fairly to-the-bone kind of life, just really being present to a lot of life. The writing has been really a byproduct of that.
Failure's relative. I've always felt, even early on, if I lose the freedom to fail, something's not right about that. It's how you treat failure, too. There's something to learn from it. I've had movies that have failed colossally, so you kind of analyze your failures: What kind of failure was it? A failure because it's misunderstood by others? A failure because you misunderstood it yourself?
I must reject fluids and ethers of all kinds, magnetical, electrical, and universal, to whatever quintessential thinness they may be treble distilled, and as it were super-substantiated.
The Force which has to be called down from above must be pure and quiet because there are all kinds of forces - it will not do to call them all. And one must have sincerity.
There are two kinds of paradoxes. They are not so much the good and the bad, nor even the true and the false. Rather they are the fruitful and the barren; the paradoxes which produce life and the paradoxes that merely announce death. Nearly all modern paradoxes merely announce death.