For me, writing has always come out of living a fairly to-the-bone kind of life, just really being present to a lot of life. The writing has been really a byproduct of that.
We can lose so much of what we've gained in terms of the kind of democratic freedoms and market-based economies and prosperity that we've come to take for granted.
ELEGY, n. A composition in verse, in which, without employing any of the methods of humor, the writer aims to produce in the reader's mind the dampest kind of dejection.
Failure's relative. I've always felt, even early on, if I lose the freedom to fail, something's not right about that. It's how you treat failure, too. There's something to learn from it. I've had movies that have failed colossally, so you kind of analyze your failures: What kind of failure was it? A failure because it's misunderstood by others? A failure because you misunderstood it yourself?
If I could find the right kind of property, get tied in with the right movie, I'd love to be involved, but I just find it hard to be motivated to do another screenplay right now.