Failure's relative. I've always felt, even early on, if I lose the freedom to fail, something's not right about that. It's how you treat failure, too. There's something to learn from it. I've had movies that have failed colossally, so you kind of analyze your failures: What kind of failure was it? A failure because it's misunderstood by others? A failure because you misunderstood it yourself?
For me, writing has always come out of living a fairly to-the-bone kind of life, just really being present to a lot of life. The writing has been really a byproduct of that.
Comradeship is obvious and universal and open; but it is only one kind of affection; it has characteristics that would destroy any other kind. Anyone who has known true comradeship in a club or in a regiment, knows that it is impersonal.
I know this because I understand now what love really feels like. The kind that consumes you. Love holds the power to break you. It holds the power to complete you.