Power, like a desolating pestilence, Pollutes whate'er it touches; and obedience, Bane of all genius, virtue, freedom, truth, Makes slaves of men, and of the human frame A mechanized automaton.
O'er Egypt's land of memory floods are level, And they are thine, O Nile! and well thou knowest The soul-sustaining airs and blasts of evil, And fruits, and poisons spring where'er thou flowest.
Age cannot Love destroy, But perfidy can blast the flower, Even when in most unwary hour It blooms in Fancy's bower. Age cannot Love destroy, But perfidy can rend the shrine In which its vermeil splendours shine.
[L]ike thee to those in sorrow, Comes to bid a sweet good-morrow To the rough year just awake In its cradle on the brake. The brightest hour of unborn Spring, Through the winter wandering, Found, it seems, the halcyon Morn To hoar February born.
A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds; his auditors are as men entranced by the melody of an unseen musician, who feel that they are moved and softened, yet know not whence or why.
Poets, not otherwise than philosophers, painters, sculptors, and musicians, are, in one sense, the creators, and, in another, the creations, of their age.
I silently laugh at my own cenotaph,
And out of the caverns of rain,
Like a child from the womb, like a ghost from the tomb,
I arise and unbuild it again.
Commerce has set the mark of selfishness, the signet of its all-enslaving power, upon a shining ore, and called it gold: before whose image bow the vulgar great, the vainly rich, the miserable proud, the mob of peasants, nobles, priests, and kings, and with blind feelings reverence the power that grinds them to the dust of misery.
Oh, that the wise from their bright minds would kindle
Such lamps within the dome of this dim world
That the pale name of priest might shrink and dwindle
Into the Hell from which it first was furled.