Everytime we say that god is the author of some phenomenon, that signifies that we are ignorant of how such a phenomenon was caused by the forces of nature.
It is only by hearsay (by word of mouth passed down from generation to generation) that whole peoples adore the God of their fathers and of their priests: authority, confidence, submission and custom with them take the place of conviction or of proofs: they prostrate themselves and pray, because their fathers taught them to prostrate themselves and pray: but why did their fathers fall on their knees?
[L]ike thee to those in sorrow, Comes to bid a sweet good-morrow To the rough year just awake In its cradle on the brake. The brightest hour of unborn Spring, Through the winter wandering, Found, it seems, the halcyon Morn To hoar February born.
In each human heart terror survives The ravin it has gorged: the loftiest fear All that they would disdain to think were true: Hypocrisy and custom make their minds The fanes of many a worship, now outworn. They dare not devise good for man's estate, And yet they know not that they do not dare.
Poets, not otherwise than philosophers, painters, sculptors, and musicians, are, in one sense, the creators, and, in another, the creations, of their age.
Rough wind, the moanest loud Grief too sad for song; Wild wind, when sullen cloud Knells all the night long; Sad storm, whose tears are vain, Bare woods, whose branches strain, Deep caves and dreary main, Wail, for the world's wrong!
There Is No God. This negation must be understood solely to affect a creative Deity. The hypothesis of a pervading Spirit co-eternal with the universe remains unshaken.
O'er Egypt's land of memory floods are level, And they are thine, O Nile! and well thou knowest The soul-sustaining airs and blasts of evil, And fruits, and poisons spring where'er thou flowest.