Near that a dusty paint-box, some odd hooks, A half-burnt match, an ivory block, three books, Where conic sections, spherics, logarithms, To great Laplace, from Saunderson and Sims, Lie heaped in their harmonious disarray Of figures,-disentangle them who may.
A poet, as he is the author to others of the highest wisdom, pleasure, virtue, and glory, so he ought personally to be the happiest, the best, the wisest, and the most illustrious of men.
The day becomes more solemn and serene When noon is past; there is a harmony In autumn, and a lustre in its sky, Which through the summer is not heard or seen, As if it could not be, as if it had not been! Thus let thy power, which like the truth Of nature on my passive youth Descended, to my onward life supply Its calm, to one who worships thee, And every form containing thee, Whom, SPIRIT fair, thy spells did bind To fear himself, and love all human kind.
I am gone into the fields To take what this sweet hour yields; Reflection, you may come to-morrow, Sit by the fireside with Sorrow. You with the unpaid bill, Despair, You, tiresome verse-reciter, Care, I will pay you in the grave, Death will listen to your stave.
Let the advocate of animal food, force himself to a decisive experiment on its fitness, and as Plutarch recommends, tear a living lamb with his teeth, and plunging his head into its vitals, slake his thirst with the steaming blood; when fresh from the deed of horror let him revert to the irresistible instincts of nature that would rise in judgment against it, and say, Nature formed me for such work as this. Then, and then only, would he be consistent.
Poets, not otherwise than philosophers, painters, sculptors, and musicians, are, in one sense, the creators, and, in another, the creations, of their age.
January gray is here, like a sexton by her grave; February bears the bier, march with grief doth howl and rave, and April weeps -- but, O ye hours! Follow with May's fairest flowers.
The great secret of morals is love; or a going out of our nature, and an identification of ourselves with the beautiful which exists in thought, action, or person, not our own. A man, to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and of many others; the pains and pleasure of his species must become his own. The great instrument of moral good is the imagination.
It is true that the reluctance to abstain from animal food, in those who have been long accustomed to its stimulus, is so great in some persons of weak minds, as to be scarcely overcome; but this is far from bringing any argument in its favour