My holy of holies is the human body, health, intelligence, talent, inspiration, love, and absolute freedom--freedom from violence and falsehood, no matter how the last two manifest themselves.
[Six principles that make for a good story:] 1. Absence of lengthy verbiage of a political-social-economic nature; 2. total objectivity; 3. truthful descriptions of persons and objects; 4. extreme brevity; 5. audacity and originality: flee the stereotype; 6. compassion.
The bourgeoisie is very fond of so-called practical types and novels with happy endings, since they soothe it with the idea that one can both accumulate capital and preserve innocence, be a beast and at the same time be happy...
When you describe the miserable and unfortunate, and want to make the reader feel pity, try to be somewhat colder - that seems to give a kind of background to another's grief, against which it stands out more clearly. Whereas in your story the characters cry and you sigh. Yes, be more cold. ... The more objective you are, the stronger will be the impression you make.
In all my life I never met anyone so frivolous as you two, so crazy and unbusinesslike. I tell you in plain Russian your property is going to be sold and you don't seem to understand what I say.
By poeticizing love, we imagine in those we love virtues that they often do not possess; this then becomes the source of constant mistakes and constant distress.
There are people whom even children's literature would corrupt. They read with particular enjoyment the piquant passages in the Psalter and in the Wisdom of Solomon.
I still lack a political, religious and philosophical world view - I change it every month - and so I'll have to limit myself to descriptions of how my heroes love, marry, give birth, die, and how they speak.
It is uncomfortable to ask condemned people about their sentences just as it is awkward to ask wealthy people why they need so much money, why they use their wealth so poorly, and why they don't just get rid of it when they recognize that it is the cause of their unhappiness.
Silence accompanies the most significant expressions of happiness and unhappiness: those in love understand one another best when silent, while the most heated and impassioned speech at a graveside touches only outsiders, but seems cold and inconsequential to the widow and children of the deceased.