You are right in demanding that an artist should take an intelligent attitude to his work, but you confuse two things: solving a problem and stating a problem correctly.
The more elevated a culture, the richer its language. The number of words and their combinations depends directly on a sum of conceptions and ideas; without the latter there can be no understandings, no definitions, and, as a result, no reason to enrich a language.
Art, especially the stage, is an area where it is impossible to walk without stumbling. There are in store for you many unsuccessful days and whole unsuccessful seasons: there will be great misunderstandings and deep disappointments… you must be prepared for all this, expect it and nevertheless, stubbornly, fanatically follow your own way.
...and with a burning pain in my heart I realized how unnecessary, how petty, and how deceptive all that had hindered us from loving was. I understood that when you love you must either, in your reasonings about that love, start from what is highest, from what is more important than happiness or unhappiness, sin or virtue in their accepted meaning, or you must not reason at all.
To dine, drink champagne, raise a racket and make speeches about the people's consciousness, the people's conscience, freedom andso forth while servants in tails are scurrying around your table, just like serfs, and out in the severe cold on the street await coachmen--this is the same as lying to the holy spirit.
Probably nature itself gave man the ability to lie so that in difficult and tense moments he could protect his nest, just as do the vixen and wild duck.