When you describe the miserable and unfortunate, and want to make the reader feel pity, try to be somewhat colder - that seems to give a kind of background to another's grief, against which it stands out more clearly. Whereas in your story the characters cry and you sigh. Yes, be more cold. ... The more objective you are, the stronger will be the impression you make.
In order to cultivate yourself and to drop no lower than the level of the milieu in which you have landed, it is not enough to read Pickwick and memorize a monologue from Faust... You need to work continually day and night, to read ceaselessly, to study, to exercise your will... Each hour is precious.
You are right in demanding that an artist approach his work consciously, but you are confusing two concepts: the solution of a problem and the correct formulation of a problem. Only the second is required of the artist.
It is uncomfortable to ask condemned people about their sentences just as it is awkward to ask wealthy people why they need so much money, why they use their wealth so poorly, and why they don't just get rid of it when they recognize that it is the cause of their unhappiness.
All of life and human relations have become so incomprehensibly complex that, when you think about it, it becomes terrifying and your heart stands still.
I should like to meet a philosopher like Nietzsche somewhere in a train or a steamer, and to spend the whole night talking to him. I consider his philosophy won't last long, however. It's more showy than convincing.
A man can deceive his fiancee or his mistress as much as he likes and, in the eyes of a woman he loves, an ass may pass for a philosopher. But a daughter is a different matter.
Try to be original in your play and as clever as possible; but don't be afraid to show yourself foolish; we must have freedom of thinking, and only he is an emancipated thinker who is not afraid to write foolish things.
The people I am afraid of are the ones who look for tendentiousness between the lines and are determined to see me as either liberal or conservative. I am neither liberal, nor conservative, nor gradualist, nor monk, nor indifferentist. I would like to be a free artist and nothing else, and I regret God has not given me the strength to be one.