The first pressure of sorrow crushes out from our hearts the best wine; afterwards the constant weight of it brings forth bitterness, the taste and stain from the lees of the vat.
More hearts are breaking in this world of ours Than one would say. In distant villages And solitudes remote, where winds have wafted The barbed seeds of love, or birds of passage Scattered them in their flight, do they take root, And grow in silence, and in silence perish.
In the long, sleepless watches of the night, A gentle face the face of one long dead Looks at me from the wall, where round its head The night-lamp casts a halo of pale light.
The day is cold, and dark, and dreary;
It rains, and the wind in never weary;
The vine still clings to the mouldering wall,
But at every gust the dead leaves fall,
And the day is dark and dreary.
Truths that startled the generation in which they were first announced become in the next age the commonplaces of conversation; as the famous airs of operas which thrilled the first audiences come to be played on hand-organs in the streets.
The day is cold, and dark, and dreary; It rains, and the wind is never weary; The vine still clings to the mouldering wall, But at every gust the dead leaves fall, And the day is dark and dreary. My life is cold, and dark, and dreary; It rains, and the wind is never weary; My thoughts still cling to the mouldering past, But the hopes of youth fall thick in the blast, And the days are dark and dreary. Be still, sad heart! and cease repining; Behind the clouds is the sun still shining; Thy fate is the common fate of all, Into each life some rain must fall, Some days must be dark and dreary.
How can I teach your children gentleness and mercy to the weak, and reverence for life, which in its nakedness and excess, is still a gleam of God's omnipotence, when by your laws, your actions and your speech, you contradict the very things I teach?