What birds were they? (...) He listened to the cries: like the squeak of mice be- hind the wainscot : a shrill twofold note. But the notes were long and shrill and whirring, unlike the cry of vermin, falling a third or a fourth and trilled as the flying beaks clove the air. Their cry was shrill and clear and fine and falling like threads of silken light unwound from whirring spools.
Ulysses He ... saw the dark tangled curls of his bush floating, floating hair of the stream around the limp father of thousands, a languid flatong flower.
Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality. It speaks of what seems fantastic and unreal to those who have lost the simple intuitions which are the test of reality; and, as it is often found at war with its age, so it makes no account of history, which is fabled by the daughters of memory.
O thanks be to the great God I got somebody to give me what I badly wanted to put some heart up into me youve no chances at all inthis place like you used long ago I wish somebody would write me a loveletter.
What did that mean, to kiss? You put your face up like that to say goodnight and then his mother put her face down. That was to kiss. His mother put her lips on his cheek; her lips were soft and they wetted his cheek; and they made a tiny little noise: kiss. Why did people do that with their two faces?
Her lips touched his brain as they touched his lips, as though they were a vehicle of some vague speech and between them he felt an unknown and timid preasure, darker than the swoon of sin, softer than sound or odor.
I've put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant, and that's the only way of insuring one's immortality.
I was happier then. Or was that I? Or am I now I? Can't bring back time. Like holding water in your hand. Would you go back to then? Just beginning then. Would you?