The Irish are people who will never have leaders, for at the great moment they always desert them. They have produced one skeleton--Parnell--never a man.
Every life is in many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-love. But always meeting ourselves.
Some people believe that we go on living in another body after death, that we lived before. They call it reincarnation. That we all lived before on the earth thousands of years ago or on some other planet. They say we have forgotten it. Some say they remember their past lives.
The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.
I have the words already. What I am seeking is the perfect order of words in the sentence. You can see for yourself how many different ways they might be arranged.
I came in at half past eleven. Since then I have been sitting in an easy chair like a fool. I could do nothing. I hear nothing but your voice. I am like a fool hearing you call me 'Dear.' I offended two men today by leaving them coolly. I wanted to hear your voice, not theirs. When I am with you I leave aside my contemptuous, suspicious nature. I wish I felt your head on my shoulder.
I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration. But my body was like a harp and her words and gestures were like fingers running upon the wires.