Plain living and high thinking are no more. The homely beauty of the good old cause Is gone; our peace, our fearful innocence, And pure religion breathing household laws.
My apprehension comes in crowds, I dread the rustling of the grass, The very shadows of the clouds, Have power to shake me as they pass, I question things and do not find, one that will answer to my mind, And all the world appears unkind.
Here must thou be, O man, Strength to thyself - no helper hast thou here - Here keepest thou thy individual state: No other can divide with thee this work, No secondary hand can intervene To fashion this ability. 'Tis thine, The prime and vital principle is thine In the recesses of thy nature, far From any reach of outward fellowship, Else 'tis not thine at all.
Look for the stars, you'll say that there are none; / Look up a second time, and, one by one, / You mark them twinkling out with silvery light, / And wonder how they could elude the sight!
It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.
Oh there is blessing in this gentle breeze, A visitant that while it fans my cheek Doth seem half-conscious of the joy it brings From the green fields, and from yon azure sky. Whate'er its mission, the soft breeze can come To none more grateful than to me; escaped From the vast city, where I long had pined A discontented sojourner: now free, Free as a bird to settle where I will.
I should dread to disfigure the beautiful ideal of the memories of illustrious persons with incongruous features, and to sully the imaginative purity of classical works with gross and trivial recollections.
my brain
Worked with a dim and undetermined sense
Of unknown modes of being; o'er my thoughts
There hung a darkness, call it solitude
Or blank desertion.