[Scottish songs] are, I own, frequently wild, & unreduceable to the more modern rules; but on that very eccentricity, perhaps, depends a great part of their effect.
And O! be sure to fear the Lord alway, And mind your duty, duly, morn and night; Lest in temptation's path ye gang astray, Implore His counsel and assisting might: They never sought in vain that sought the Lord aright.
A man's a man for a' that. . . . . A prince can mak a belted knight, A marquis, duke, and a' that; But an honest man's aboon his might, Guid faith he mauna fa' that! . . . Then let us pray that come it may, As come it will for a' that, That sense and worth, o'er a' the earth, May bear the gree and a' that. For a' that, and a' that, It's comin' yet, for a' that, When man to man, the world o'er, Shall brithers be for a' that.
Dweller in yon dungeon dark, Hangman of creation, mark! Who in widow weeds appears, Laden with unhonoured years, Noosing with care a bursting purse, Baited with many a deadly curse?
Apropos, is not the Scotch phrase 'Auld Lang Syne' exceedingly expressive? I shall give you the verses on the other sheet. The words of 'Auld Lang Syne' are good, but the music is an old air, the rudiments of the modern tune of that name. ... Dare to be honest and fear no labor. ... Opera is where a man gets stabbed in the back, and instead of dying, he sings. ... Chords that vibrate sweetest pleasure thrill the deepest notes of woe. ... Critics! Those cut-throat bandits in the paths of fame.
I love drinking now and then. It defecates the standing pool of thought. A man perpetually in the paroxysm and fears of inebriety is like a half-drowned stupid wretch condemned to labor unceasingly in water; but a now-and-then tribute to Bacchus is like the cold bath, bracing and invigorating.