I look on the opposite sex with something like the admiration with which I regard the starry sky on a frosty December night. I admire the beauty of the Creator's workmanship, I am charmed with the wild but graceful eccentricity of the motions, and then I wish both of them goodnight.
Apropos, is not the Scotch phrase 'Auld Lang Syne' exceedingly expressive? I shall give you the verses on the other sheet. The words of 'Auld Lang Syne' are good, but the music is an old air, the rudiments of the modern tune of that name. ... Dare to be honest and fear no labor. ... Opera is where a man gets stabbed in the back, and instead of dying, he sings. ... Chords that vibrate sweetest pleasure thrill the deepest notes of woe. ... Critics! Those cut-throat bandits in the paths of fame.
An honest man here lies at rest, the friend of man the friend of truth the friend of age and guide of youth. Few hearts like his with virtue warmed, few heads with knowledge so informed. If there's another world, he lives in bliss. If there is none, he made the best of this.
Dweller in yon dungeon dark, Hangman of creation, mark! Who in widow weeds appears, Laden with unhonoured years, Noosing with care a bursting purse, Baited with many a deadly curse?
But pleasures are like poppies spread, You seize the flower, it's bloom is shed; Or, like the snow-fall in the river, A moment white, then melts forever.
A man's a man for a' that. . . . . A prince can mak a belted knight, A marquis, duke, and a' that; But an honest man's aboon his might, Guid faith he mauna fa' that! . . . Then let us pray that come it may, As come it will for a' that, That sense and worth, o'er a' the earth, May bear the gree and a' that. For a' that, and a' that, It's comin' yet, for a' that, When man to man, the world o'er, Shall brithers be for a' that.