[Scottish songs] are, I own, frequently wild, & unreduceable to the more modern rules; but on that very eccentricity, perhaps, depends a great part of their effect.
If Heaven a draught of heavenly pleasure spare,
One cordial in this melancholy vale,
'T is when a youthful, loving, modest pair
In other's arms breathe out the tender tale
On Earth, Discord! A gloomy Heaven above, opening her jealous gates to the nineteen thousandth part of the tithe of mankind! And below, an inescapable & inexorable Hell, expanding its leviathan jaws for the vast residue of Mortals!
But of all Nonsense, Religious Nonsense is the most nonsensical; so enough, & more than enough of it - Only, by the bye, will you, or can you tell me, my dear Cunningham, why a religioso turn of mind has always a tendency to narrow and illiberalise the heart?
Apropos, is not the Scotch phrase 'Auld Lang Syne' exceedingly expressive? I shall give you the verses on the other sheet. The words of 'Auld Lang Syne' are good, but the music is an old air, the rudiments of the modern tune of that name. ... Dare to be honest and fear no labor. ... Opera is where a man gets stabbed in the back, and instead of dying, he sings. ... Chords that vibrate sweetest pleasure thrill the deepest notes of woe. ... Critics! Those cut-throat bandits in the paths of fame.