[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.
Hide me from day's garish eye, While the bee with honied thigh, That at her flowery work doth sing, And the waters murmuring With such consort as they keep, Entice the dewy-feathered sleep.
A thousand fantasies Begin to throng into my memory, Of calling shapes, and beckoning shadows dire, And airy tongues that syllable men's names On sands and shores and desert wildernesses
How oft, in nations gone corrupt, And by their own devices brought down to servitude, That man chooses bondage before liberty. Bondage with ease before strenuous liberty.
... then there was war in heaven. But it was not angels. It was that small golden zeppelin, like a long oval world, high up. It seemed as if the cosmic order were gone, as if there had come a new order, a new heavens above us: and as if the world in anger were trying to revoke it.