I believe that the main thing in beginning a novel is to feel, not that you can write it, but that it exists on the far side of a gulf, which words can't cross: that it's to be pulled through only in a breathless anguish.
I never willfully want to write the same record twice, which is probably why I jump from project to project. But I can't ignore that there are things that inspire me, and I love celebrating those.
I don't believe we can get very far, with leaders who write off half the nation as a bunch of victims who never take responsibility for their own lives.
Christ is the most unique person of history. No man can write a history of the human race without giving first and foremost place to the penniless Teacher of Nazareth.
For me, if the writing and - by extension - the subject matter and the characters are all good, it doesn't matter if it's film or TV. Each medium has great things going for it.
Howbeit, though no scholar, I am not one of those who misuse the English speech, and, being foolishly led by the hasty custom of scriveners and printers to write the letters "T" and "H" joined together, which resembleth a "Y," do incontinently jump to the conclusion the THE is pronounced "Ye,"--the like of which I never heard in all England.
Good editorial writing has less to do with winning an argument, since the other side is mostly not listening, than with telling the guys on your side how they ought to sound when they’re arguing.
I actually run a non-profit where one of the main objectives is to branch out and get a new audience for the theater. Just because the writing is so good and nothing is more effective than seeing something live and happening right in front of your face, so I definitely want to continue to pursue that.