The good parts of a book may be only something a writer is lucky enough to overhear or it may be the wreck of his whole damn life - and one is as good as another.
Taking the question in general, I should say, in the case of many poets, that the most important thing for them to do ... is to write as little as possible
I don't speak German well but several experts have assured me that I write it like an angel. Maybe so, maybe so- I don't know. I've not yet made any acquaintances among the angels. That comes later, whenever it please the Deity. I'm not in any hurry.
Each of us has his own way of emerging from the underworld, mine is by writing. That's why the only way I can keep going, if at all, is by writing, not through rest and sleep. I am far more likely to achieve peace of mind through writing than the capacity to write through peace.
But 'why then publish?' There are no rewards Of fame or profit when the world grows weary. I ask in turn why do you play at cards? Why drink? Why read? To make some hour less dreary. It occupies me to turn back regards On what I've seen or pondered, sad or cheery, And what I write I cast upon the stream To swim or sink. I have had at least my dream.
You've got to sell your heart, your strongest reactions, not the little minor things that only touch you lightly, the little experiences that you might tell at dinner. This is especially true when you begin to write, when you have not yet developed the tricks of interesting people on paper, when you have none of the technique which it takes time to learn. When, in short, you have only your emotions to sell.