Occasionally words must serve to veil the facts. But let this happen in such a way that no one become aware of it; or, if it should be noticed, excuses must be at hand to be produced immediately.
Enough, if something from our hands have power To live, and act, and serve the future hour; And if, as toward the silent tomb we go, Through love, through hope, and faith's transcendent dower, We feel that we are greater than we know.
I will be capable of loving, regardless of whether I am loved in return, Of giving, when I have nothing, Of working happily, even in the midst of difficulties, Of holding out my hand, even when utterly alone and abandoned, Of drying my tears, even while I weep, Of believing, even when no one believes in me.
There's a man in the world who is never turned down, whatever he chances to stray; he gets the glad hand in the populous town, or out where the farmers makes hay; he's greeted with pleasure on deserts of sand, and deep in the aisles of the woods; wherever he goes there's a welcoming hand-he's the man who delivers the goods.
There is something in the eloquence of the pulpit, when it is really eloquence, which is entitled to the highest praise and honour. The preacher who can touch and affect such an heterogeneous mass of hearers, on subjects limited, and long worn thread-bare in all common hands; who can say any thing new or striking, any thing that rouses the attention, without offending the taste, or wearing out the feelings of his hearers, is a man whom one could not (in his public capacity) honour enough.
These Greek capitals, black with age, and quite deeply graven in the stone, with I know not what signs peculiar to Gothic calligraphy imprinted upon their forms and upon their attitudes, as though with the purpose of revealing that it had been a hand of the Middle Ages which had inscribed them there, and especially the fatal and melancholy meaning contained in them, struck the author deeply.
Truths that startled the generation in which they were first announced become in the next age the commonplaces of conversation; as the famous airs of operas which thrilled the first audiences come to be played on hand-organs in the streets.
The language I have learnt these forty years, My native English, now I must forgo; And now my tongue's use is to me no more Than an unstringed viol or a harp, Or like a cunning instrument cased up Or, being open, put into his hands That knows no touch to tune the harmony.
I have a foreboding of an America in my children's or grandchildren's time - [...] when awesome technological powers are in the hands of a very few, and no one representing the public interest can even grasp the issues; when the people have lost the ability to set their own agendas or knowledgeably question those in authority; when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what’s true, we slide, almost without noticing, back into superstition and darkness.