We all have a little weakness, which is very natural but rather misleading, for supposing that this epoch must be the end of the world because it will be the end of us. How future generations will get on without us is indeed, when we come to think of it, quite a puzzle. But I suppose they will get on somehow, and may possibly venture to revise our judgments as we have revised earlier judgments.
There are two kinds of paradoxes. They are not so much the good and the bad, nor even the true and the false. Rather they are the fruitful and the barren; the paradoxes which produce life and the paradoxes that merely announce death. Nearly all modern paradoxes merely announce death.
My brother, Cecil Edward Chesterton, was born when I was about five years old; and, after a brief pause, began to argue. He continued to argue to the end. I am glad to think that through all those years we never stopped arguing; and we never once quarreled. Perhaps the principal objection to a quarrel is that it interrupts an argument.
Ingratitude is surely the chief of the intellectual sins of man. He takes his political benefits for granted, just as he takes the skies and the seasons for granted.
There is nothing harder to learn than painting and nothing which most people take less trouble about learning. An art school is a place where about three people work with feverish energy and everybody else idles to a degree that I should have conceived unattainable by human nature.
Our civilization has decided that determining the guilt or innocence of men is a thing too important to be trusted to trained men. When it wants a library catalogued, or the solar system discovered, or any trifle of that kind, it uses up its specialists. But when it wishes anything done which is really serious, it collects twelve of the ordinary men standing round. The same thing was done, if I remember right, by the Founder of Christianity.