Every great literature has always been allegorical - allegorical of some view of the whole universe. The 'Iliad' is only great because all life is a battle, the 'Odyssey' because all life is a journey, the Book of Job because all life is a riddle.
The man who lives in contact with what he believes to be a living Church is a man always expecting to meet Plato and Shakespeare tomorrow at breakfast. He is always expecting to see some truth that he has never seen before.
We are talking about an artist; and for the enjoyment of the artist the mask must be to some extent moulded on the face. What he makes outside him must correspond to something inside him; he can only make his effects out of some of the materials of his soul.
. . . For friendship implies individuality; whereas comradeship really implies the temporary subordination, if not the temporary swamping of individuality. Friends are the better for being two; but comrades are the better for being two million.
I still hold. . .that the suburbs ought to be either glorified by romance and religion or else destroyed by fire from heaven, or even by firebrands from the earth.
We do not want joy and anger to neutralize each other and produce a surly contentment; we want a fiercer delight and a fiercer discontent. We have to feel the universe at once as an ogre's castle, to be stormed, and yet as our own cottage, to which we can return to at evening.