I don't remember a drama on TV that had shown a couple could be married but still love each other very much, spend every day as if they were still on their honeymoon, be sensuous, and have fun together.
Youth is like having a big plate of candy. Sentimentalists think they want to be in the pure, simple state they were in before they ate the candy. They don't. They just want the fun of eating it all over again.
On a simple level, you need directors who are good at action and can choreograph an action scene, but you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It's a very big thing.
The bipartisan approach filtered up through my typewriter. I used to say, "Mad takes on both sides." We even used to rake the hippies over the coals. They were protesting the Vietnam War, but we took aspects of their culture and had fun with it. Mad was wide open. Bill loved it, and he was a capitalist Republican. I loved it, and I was a liberal Democrat. That went for the writers, too; they all had their own political leanings, and everybody had a voice. But the voices were mostly critical. It was social commentary, after all.
I learned one thing; you never do anything for fame or money. You only do things 'cause they're fun or good. If you can combine the two at the same time, you can make a contribution to the world and have a lot of happiness.
I have done my fiddling so long under Vesuvius that I have almost forgotten to play, and can only wait for the eruption and think it long of coming. Literally no man has more wholly outlived life than I. And still it's good fun.