Nature never deserts the wise and pure; no plot so narrow, be but nature there; no waste so vacant, but may well employ each faculty of sense, and keep the heart awake to love and beauty.
Nothing is as contagious as enthusiasm. It is the real allegory of the myth of Orpheus; it moves stones, and charms brutes. It is the genius of sincerity, and truth accomplishes no victories without it.
You talk about making this article cheaper by reducing its price in the market from 8 d. to 6 d. But suppose, in so doing, you have rendered your country weaker against a foreign foe; suppose you have demoralized thousands of your fellow-countrymen, and have sown discontent between one class of society and another, your article is tolerably dear, I take it, after all.
Why is it that so many of us persist in thinking that autumn is a sad season? Nature has merely fallen asleep, and her dreams must be beautiful if we are to judge by her countenance.
Poetry is not the proper antithesis to prose, but to science. Poetry is opposed to science, and prose to meter. The proper and immediate object of science is the acquirement, or communication of truth; the proper and immediate object of poetry is the communication of immediate pleasure.
We should manage our thoughts as shepherds do their flowers in making a garland: first, select the choicest, and then dispose them in the most proper places, that every one may reflect a part of its color and brightness on the next.
I understood that you would take the Human Race in the concrete, have exploded the absurd notion of Pope's Essay on Man, [Erasmus] Darwin, and all the countless Believers-even (strange to say) among Xtians-of Man's having progressed from an Ouran Outang state-so contrary to all History, to all Religion, nay, to all Possibility-to have affirmed a Fall in some sense.
The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.