Above all am I convinced of the need, irrevocable and inescapable, of every human heart, for God. No matter how we try to escape, to lose ourselves in restless seeking, we cannot separate ourselves from our divine source. There is no substitute for God.
There is a persuasion in the soul of man that he is here for cause, that he was put down in this place by the Creator to do the work for which he inspires him, that thus he is an overmatch for all antagonists that could combine against him.
How can you have order in a state without religion? For, when one man is dying of hunger near another who is ill of surfeit, he cannot resign himself to this difference unless there is an authority which declares 'God wills it thus.' Religion is excellent stuff for keeping common people quiet.
The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.