If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that registered earthquakes ten thousand miles away.
He did not understand all he had heard, but from his clandestine glimpse into the privacy of these two, with all the world that his short experience could conceive of at their feet, he had gathered that life for everybody was a struggle, sometimes magnificent from a distance, but always difficult and surprisingly simple and a little sad.
You have to develop a conscience and if on top of that you have talent so much the better. But if you have talent without conscience, you are just one of many thousand journalists.
There’s a writer for you,” he said. “Knows everything and at the same time he knows nothing.” [narrator]It was my first inkling that he was a writer. And while I like writers—because if you ask a writer anything you usually get an answer—still it belittled him in my eyes. Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person. It’s like actors, who try so pathetically not to look in mirrors. Who lean backward trying—only to see their faces in the reflecting chandeliers.
I love this simply because it's cute, and I guess it's a sign of the times in many respect. It's pretty much saying you complete me, only in the sweetest way possible.
Modern life... changes no longer century by century, but year by year, ten times faster than it ever has before-populations doubling, civilizations unified more closely with other civilizations, economic interdependence, racial questions, and-we're dawdling along. My idea is that we've got to go very much faster.
I must hold in balance the sense of the futility of effort and the sense of the necessity to struggle; the conviction of the inevitability of failure and still the determination to 'succeed'-and, more than these, the contradiction between the dead hand of the past and the high intentions of the future. If I could do this through the common ills-domestic, professional and personal-then the ego would continue as an arrow shot from nothingness to nothingness with such force that only gravity would bring it to earth at last.
She had an air of seeming to wait, as if for a man to get through with something more important than herself, a battle or an operation, during which he must not be hurried or interfered with. When the man had finished she would be waiting, without fret or impatience, somewhere on a highstool, turning the pages of a newspaper.