The events of human life, whether public or private, are so intimately linked to architecture that most observers can reconstruct nations or individuals in all the truth of their habits from the remains of their monuments or from their domestic relics.
According to man's environment, society has made as many different types of men as there are varieties in zoology. The differences between a soldier, a workman, a statesman, a tradesman, a sailor, a poet, a pauper and a priest, are more difficult to seize, but quite considerable as the differences between a wolf, a lion, an ass, a crow, a sea-calf, a sheep, and so on.
[Raphael's] great superiority is due to the instinctive sense which, in him, seems to desire to shatter form. Form is, in his figures, what it is in ourselves, an interpreter for the communication of ideas and sensations, an exhaustless source of poetic inspiration. Every figure is a world in itself, a portrait of which the original appeared in a sublime vision, in a flood of light, pointed to by an inward voice, laid bare by a divine finger which showed what the sources of expression had been in the whole past life of the subject.
Modern reformers offer nebulous theories or write philanthropic novels. But your thief acts! He is as clear as a fact and as logical as a punch on the nose! And what a style he has!