The human heart may find here and there a resting-place short of the highest height of affection, but we seldom stop in the steep, downward slope of hatred.
A Creole woman is like a child, she wants to possess everything immediately; like a child, she would set fire to a house in order to fry an egg. In her languor, she thinks of nothing; when passionately aroused, she thinks of any act possible or impossible.
A woman's greatest charm consists in a constant appeal to a man's generosity by a gracious declaration of helplessness which fills him with pride and awakens the most magnificent feelings in his heart.
Holding this book in your hand, sinking back in your soft armchair, you will say to yourself: perhaps it will amuse me. And after you have read this story of great misfortunes, you will no doubt dine well, blaming the author for your own insensitivity, accusing him of wild exaggeration and flights of fancy. But rest assured: this tragedy is not a fiction. All is true.
Imaginative, sanguine men will never recognize that in negotiations the most dangerous moment of all is when everything is moving according to their wishes.
One admirable trait in women is their lack of illusions about themselves. They never reason about their most blameworthy actions; their feelings carry them away. Even their dissimulation comes naturally to them, and in them crime is free of all baseness. Most of the time they simply do not know how it happened.
A woman in the depths of despair proves so persuasive that she wrenches the forgiveness lurking deep in the heart of her lover. This is all the more true when that woman is young, pretty, and so decollete as to emerge from the neck of her gown in the costume of Eve.
If the artist does not fling himself, without reflecting, into his work, as Curtis flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent.
Woman is a delightful instrument of pleasure, but it is necessary to know its trembling strings, to study the position of them, the timid keyboard, the fingering so changeful and capricious which befits it.
It would be curious to know what leads a man to become a stationer rather than a baker, when he is no longer compelled, as among the Egyptians, to succeed to his father's craft.