I was very inventive. I lived in my own world - my dad said I was a loner. Not lonely, just happy in my own company. It's the same now. I need time alone, which is maybe why I love to write. Having said that, I love the sociability of telly. It's a nice contrast.
Housman is one of my heroes and always has been. He was a detestable and miserable man. Arrogant, unspeakably lonely, cruel, and so on, but and absolutely marvellous minor poet, I think, and a great scholar.
That is what all poets do: they talk to themselves out loud; and the world overhears them. But it's horribly lonely not to hear someone else talk sometimes.
The winter evening settles down With smell of steaks in passageways. Six o'clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps.
Distrust brings frustration and fear. So therefore, the lonely feeling automatically come. So, lonely feeling is not creation of environment, but creation of your own mental attitude.
I don't like your miserable lonely single front name. It is so limited, so meager; it has no versatility; it is weighted down with the sense of responsibility; it is worn threadbare with much use; it is as bad as having only one jacket and one hat; it is like having only one relation, one blood relation, in the world. Never set a child afloat on the flat sea of life with only one sail to catch the wind.
The winter evening settles down With smell of steaks in passageways. Six o'clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps.
There was no wind; there was no passing shadow on the deep shade of the night; there was no noise. The city lay behind him, lighted here and there, and starry worlds were hidden by the masonry of spire and roof that hardly made out any shapes against the sky. Dark and lonely distance lay around him everywhere, and the clocks were faintly striking two.
Him who trembles before the flame and the flood,
And the winds that blow through the starry ways,
Let the starry winds and the flame and the flood
Cover over and hide, for he has no part
With the lonely, majestical multitude.
I go in solitude, so as not to drink out of everybody's cistern. When I am among the many I live as the many do, and I do not think I really think; after a time it always seems as if they want to banish myself from myself and rob me of my soul.
He who is great must make humility his base. He who is high must make lowliness his foundation. Thus, princes and kings in speaking of themselves use the terms "lonely," "friendless," "of small account." Is not this making humility their base?
I wandered lonely as a cloud That floats on high o'er vales and hills When all at once I saw a crowd A host of golden daffodils Beside the lake beneath the trees Fluttering and dancing in the breeze.
He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ringed with the azure world, he stands.
The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.