The way of fortune is like the milky way in the sky; which is a meeting, or knot, of a number of small stars, not seen asunder, but giving light together : so are there a number of little and scarce discerned virtues, or rather faculties and customs, that make men fortunate.
Antiquities, or remnants of history, are, as was said, tanquam tabula naufragii: when industrious persons, by an exact and scrupulous diligence and observation, out of monuments, names, words, proverbs, traditions, private records and evidences, fragments of stories, passages of books that concern not story, and the like, do save and recover somewhat from the deluge of time.
But the idols of the Market Place are the most troublesome of all: idols which have crept into the understanding through their alliances with words and names. For men believe that their reason governs words. But words turn and twist the understanding. This it is that has rendered philosophy and the sciences inactive. Words are mostly cut to the common fashion and draw the distinctions which are most obvious to the common understanding. Whenever an understanding of greater acuteness or more diligent observation would alter those lines to suit the true distinctions of nature, words complain.
It's not what we eat but what we digest that makes us strong; not what we gain but what we save that makes us rich; not what we read but what we remember that makes us learned; and not what we profess but what we practice that gives us integrity.
I'll follow, as they say, for reward. He that rewards me, God reward him. If I do grow great, I'll grow less; for I'll purge, and leave sack, and live cleanly, as a nobleman should do.
All artists are vain, they long to be recognized and to leave something to posterity. They want to be loved, and at the same time they want to be free. But nobody is free.
In revenge a man is but even with his enemy; for it is a princely thing to pardon, and Solomon saith it is the glory of a man to pass over a transgression.
An illustrational form tells you through the intelligence immediately what the form is about, whereas a non-illustrational form works first upon sensation and then slowly leaks back into the fact.