Then I only wondered who put the toys in the stocking; now I wonder who put the stocking by the bed, and the bed in the room, and the room in the house, and the house on the planet, and the great planet in the void.
Trust him to have his bitter politics
Against his unacquaintances the rich
Who sleep in houses of their own, though mortgaged.
Conservatives, they don't know what to save.
...We pray together, we are afraid together, and then we go to sleep. Even if Satan came into the house, no one would interfere. After all, what is there to fear in this house? There is always one with us who is the strongest. Satan may visit our house, but the good Lord lives here.
She was the most wonderful woman for prowling about the house. How she got from one story to another was a mystery beyond solution. A lady so decorous in herself, and so highly connected, was not to be suspected of dropping over the banisters or sliding down them, yet her extraordinary facility of locomotion suggested the wild idea.
[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.
Steam was till the other day the devil which we dreaded. Every pot made by any human potter or brazier had a hole in its cover, to let off the enemy, lest he should lift pot and roof and carry the house away.