Tis moonlight, summer moonlight,
All soft and still and fair;
The solemn hour of midnight
Breathes sweet thoughts everywhere,
But most where trees are sending
Their breezy boughs on high,
Or stooping low are lending
A shelter from the sky.
And there in those wild bowers
A lovely form is laid;
Green grass and dew-steeped flowers
Wave gently round her head.
The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, 'Let me in - let me in!' 'Who are you?' I asked, struggling, meanwhile, to disengage myself. 'Catherine Linton,' it replied, shiveringly (why did I think of LINTON? I had read EARNSHAW twenty times for Linton) - 'I'm come home: I'd lost my way on the moor!' As it spoke, I discerned, obscurely, a child's face looking through the window.
My love for Linton is like the foliage in the woods. Time will changeit,I'mwellaware, aswinterchangesthetrees. My Love for Heathcliff resembles the eternal rocks beneatha source of little visible delight but necessary. Nelly, I am Heathcliff.
A heaven so clear, an earth so calm,
So sweet, so soft, so hushed an air;
And, deepening still the dreamlike charm,
Wild moor-sheep feeding everywhere.
The winter wind is loud and wild, Come close to me, my darling child; Forsake thy books, and mate less play; And, while the night is gathering grey, We'll talk its pensive hours away.