What has praise and fame to do with poetry? Was not writing poetry a secret transaction, a voice answering a voice? So that all this chatter and praise, and blame and meeting people who admired one and meeting people who did not admire one was as ill suited as could be to the thing itself- a voice answering a voice.
For now she need not think of anybody. She could be herself, by herself. And that was what now she often felt the need of - to think; well not even to think. To be silent; to be alone.
We do not know our own souls, let alone the souls of others. Human beings do not go hand in hand the whole stretch of the way. There is a virgin forest in each; a snowfield where even the print of birds' feet is unknown. Here we go alone, and like it better so. Always to have sympathy, always to be accompanied, always to be understood would be intolerable.
Now the writer, I think, has the chance to live more than other people in the presence of ... reality. It is his business to find it and collect it and communicate it to the rest of us.
For it is a curious fact that though human beings have such imperfect means of communication, that they can only say 'good to eat' when they mean 'beautiful' and the other way about, they will yet endure ridicule and misunderstanding rather than keep any experience to themselves.
[Final diary entry:] Occupation is essential. And now with some pleasure I find that it's seven; and must cook dinner. Haddock and sausage meat. I think it is true that one gains a certain hold on sausage and haddock by writing them down.
She came into a room; she stood, as he had often seen her, in a doorway with lots of people round her. But it was Clarissa one remembered. Not that she was striking; not beautiful at all; there was nothing picturesque about her; she never said anything specially clever; there she was however; there she was.
At any rate, when a subject is highly controversial-and any question about sex is that-one cannot hope to tell the truth. One can only show how one came to hold whatever opinion one does hold.
The compensation of growing old ... was simply this; that the passion remains as strong as ever, but one has gained -- at last! -- the power which adds the supreme flavour to existence -- the power of taking hold of experience, of turning it round, slowly, in the light.
I will not be "famous," "great." I will go on adventuring, changing, opening my mind and my eyes, refusing to be stamped and stereotyped. The thing is to free one's self: to let it find its dimensions, not be impeded.
If one is to deal with people on a large scale and say what one thinks, how can one avoid melancholy? I don’t admit to being hopeless, though: only the spectacle is a profoundly strange one; and as the current answers don’t do, one has to grope for a new one, and the process of discarding the old, when one is by no means certain what to put in their place, is a sad one.
Submit to me." So she said nothing, but looked doggedly and sadly at the shore, wrapped in its mantle of peace; as if the people there had fallen alseep, she thought; were free like smoke, were free to come and go like ghosts. They have no suffering there, she thought.