The compensation of growing old ... was simply this; that the passion remains as strong as ever, but one has gained -- at last! -- the power which adds the supreme flavour to existence -- the power of taking hold of experience, of turning it round, slowly, in the light.
Am I alone in my egotism when I say that never does the pale light of dawn filter through the blinds of 52 Tavistock Square but I open my eyes and exclaim, "Good God! Here I am again!" not always with pleasure, often with pain; sometimes in a spasm.
It was as if someone had taken a tiny bead of pure life and decking it as lightly as possible with down and feathers, had set it dancing and zigzagging to show us the true nature of life.
Masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.
But words have been used too often; touched and turned, and left exposed to the dust of the street. The words we seek hang close to the tree. We come at dawn and find them sweet beneath the leaf.
It rasped her, though, to have stirring about in her this brutal monster! to hear twigs cracking and feel hooves planted down in the depths of that leaf-encumbered forest, the soul; never to be content quite, or quite secure, for at any moment the brute would be stirring, this hatred.
The way to rock oneself back into writing is this. First gentle exercise in the air. Second the reading of good literature. It is a mistake to think that literature can be produced from the raw. One must get out of life...one must become externalised; very, very concentrated, all at one point, not having to draw upon the scattered parts of one's character, living in the brain.